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<Article>
<Journal>
				<PublisherName>Iranian Persian Language and Literature Promotion Society</PublisherName>
				<JournalTitle>Research on Mystical Literature</JournalTitle>
				<Issn>HTTPS://JP</Issn>
				<Volume>2</Volume>
				<Issue>4</Issue>
				<PubDate PubStatus="epublish">
					<Year>2009</Year>
					<Month>02</Month>
					<Day>19</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Literary Genres in the Iranian national Epics</ArticleTitle>
<VernacularTitle>Literary Genres in the Iranian national Epics</VernacularTitle>
			<FirstPage>1</FirstPage>
			<LastPage>30</LastPage>
			<ELocationID EIdType="pii">16384</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Mohammadreza</FirstName>
					<LastName>Sarfi</LastName>
<Affiliation>Associate professor of Persian language and literature, University</Affiliation>

</Author>
<Author>
					<FirstName>Mahmoud</FirstName>
					<LastName>Modabri</LastName>
<Affiliation>Associate professor of Persian language and literature, University</Affiliation>

</Author>
<Author>
					<FirstName>Mohammad Sadegh</FirstName>
					<LastName>Basiri</LastName>
<Affiliation>Assistant professor of Persian language and literature, University</Affiliation>

</Author>
<Author>
					<FirstName>Hossein Mirza</FirstName>
					<LastName>Niknam</LastName>
<Affiliation>Ph.D student of Persian language and literature, University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2016</Year>
					<Month>06</Month>
					<Day>14</Day>
				</PubDate>
			</History>
		<Abstract> Iranian national epics – especially Shahnameh- are up and down of Iran history in Iranian attitudes in the way they do exist; or else, in the way Iranians want or suppose them to be. Such masterpieces could be studied from different perspectives. One of these perspectives is contextual study of these works on the basis of  literary genres. Although epic is independent, because of its broad subjects, there could be some other genres in it. Through an exact study of ten national epics of Iran (Shahnameh, Garshaspnameh, Borzoonameh, Faramarznameh, Banoogoshaspnameh, Shahreyarnameh, Bahmannameh, kooshnameh, kok e koohzad and Jahangirnameh), there seems to be up to 46 genres overlapping with each other.
 </Abstract>
			<OtherAbstract Language="FA"> Iranian national epics – especially Shahnameh- are up and down of Iran history in Iranian attitudes in the way they do exist; or else, in the way Iranians want or suppose them to be. Such masterpieces could be studied from different perspectives. One of these perspectives is contextual study of these works on the basis of  literary genres. Although epic is independent, because of its broad subjects, there could be some other genres in it. Through an exact study of ten national epics of Iran (Shahnameh, Garshaspnameh, Borzoonameh, Faramarznameh, Banoogoshaspnameh, Shahreyarnameh, Bahmannameh, kooshnameh, kok e koohzad and Jahangirnameh), there seems to be up to 46 genres overlapping with each other.
 </OtherAbstract>
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			<Object Type="keyword">
			<Param Name="value">Iranian national epics</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Literary genres</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Common genres</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://jpll.ui.ac.ir/article_16384_ae0b6fd62a56da58e8bb89b59fc824bc.pdf</ArchiveCopySource>
</Article>
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