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<ArticleSet>
<Article>
<Journal>
				<PublisherName>Iranian Persian Language and Literature Promotion Society</PublisherName>
				<JournalTitle>Research on Mystical Literature</JournalTitle>
				<Issn>HTTPS://JP</Issn>
				<Volume>2</Volume>
				<Issue>2</Issue>
				<PubDate PubStatus="epublish">
					<Year>2008</Year>
					<Month>08</Month>
					<Day>22</Day>
				</PubDate>
			</Journal>
<ArticleTitle>An analysis of the seven narratives of Oston-e-Hannane</ArticleTitle>
<VernacularTitle>An analysis of the seven narratives of Oston-e-Hannane</VernacularTitle>
			<FirstPage>53</FirstPage>
			<LastPage>84</LastPage>
			<ELocationID EIdType="pii">16370</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Mohammad</FirstName>
					<LastName>Parsa-nasab</LastName>
<Affiliation>Associate professor of Persian language and literature department, Tarbiat-Moallem University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2016</Year>
					<Month>06</Month>
					<Day>14</Day>
				</PubDate>
			</History>
		<Abstract> Modifying the narratives and creating new ones, is a style on which traditional Iranian narratives are based. Owing to this fact, there are lots of narratives which are formed completely different according to their particular modification of elements. The object of this essay is to identify:

What kinds of modifications have been mostly used by the narrators?
What patterns do the structures of Persian narratives follow in their evolutionary process?
Which elements or particularities have similar narratives been based upon?

In addition, we are going to clarify how a historical-religious narrative is converted to a fictional–mystic one. The method of this research is based on an analytical comparison of similar samples from typology, narratology, semantics, semiotics, inter-textuality, dialogue and so on.
 </Abstract>
			<OtherAbstract Language="FA"> Modifying the narratives and creating new ones, is a style on which traditional Iranian narratives are based. Owing to this fact, there are lots of narratives which are formed completely different according to their particular modification of elements. The object of this essay is to identify:

What kinds of modifications have been mostly used by the narrators?
What patterns do the structures of Persian narratives follow in their evolutionary process?
Which elements or particularities have similar narratives been based upon?

In addition, we are going to clarify how a historical-religious narrative is converted to a fictional–mystic one. The method of this research is based on an analytical comparison of similar samples from typology, narratology, semantics, semiotics, inter-textuality, dialogue and so on.
 </OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Oston-e-Hannane</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Narration</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Religious narration</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Story narration</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://jpll.ui.ac.ir/article_16370_7639f4be9042f03b5d791ae089015a3c.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
