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<Journal>
				<PublisherName>Iranian Persian Language and Literature Promotion Society</PublisherName>
				<JournalTitle>Research on Mystical Literature</JournalTitle>
				<Issn>HTTPS://JP</Issn>
				<Volume>3</Volume>
				<Issue>4</Issue>
				<PubDate PubStatus="epublish">
					<Year>2010</Year>
					<Month>02</Month>
					<Day>20</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Introduction to NaqqÃ¢li in Iran</ArticleTitle>
<VernacularTitle>Introduction to NaqqÃ¢li in Iran</VernacularTitle>
			<FirstPage>35</FirstPage>
			<LastPage>64</LastPage>
			<ELocationID EIdType="pii">16363</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Sajad</FirstName>
					<LastName>Aydenloo</LastName>
<Affiliation>Assistant Professor of Persian language and literature, PayâmeNoor University of Urumiyye</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2016</Year>
					<Month>06</Month>
					<Day>14</Day>
				</PubDate>
			</History>
		<Abstract>NaqqÃ¢li is an old art in Iranian culture and literature but its documents belong to Safavid period and later ages. Various accounts of SohrÃ¢b koÅ¡i, s ( to klill SohrÃ¢b) narration are important evidences for NaqqÃ¢li, s influence on Iranian people. The influence of NaqqÃ¢li on official literature and art continued from Safavid to the middle of Pahlavi period. Evidences from poems of Salim, Sohbat, QÃ¢Ã¢ni and some paintings of ShÃ¢hnÃ¢me confirm this claim. &lt;br /&gt;NaqqÃ¢li had special methods and those interested in it could learn it from skillful Naggal (story-teller) if they had certain characteristics like: good memory, eloquence and good voice. After some time, they could possess the scroll and tell the story (naql goftan). Some of the formalities of NaqqÃ¢li are: to stand on a bed in coffe -house or to sit on a chair, prologue, to demand praise and greeting to God, Mohammad and his descendants, to use gestures and to harmonize body parts with intonation, to use cane, reciting poems during prose reading, to perform some scenes, keeping sequence etc.</Abstract>
			<OtherAbstract Language="FA">NaqqÃ¢li is an old art in Iranian culture and literature but its documents belong to Safavid period and later ages. Various accounts of SohrÃ¢b koÅ¡i, s ( to klill SohrÃ¢b) narration are important evidences for NaqqÃ¢li, s influence on Iranian people. The influence of NaqqÃ¢li on official literature and art continued from Safavid to the middle of Pahlavi period. Evidences from poems of Salim, Sohbat, QÃ¢Ã¢ni and some paintings of ShÃ¢hnÃ¢me confirm this claim. &lt;br /&gt;NaqqÃ¢li had special methods and those interested in it could learn it from skillful Naggal (story-teller) if they had certain characteristics like: good memory, eloquence and good voice. After some time, they could possess the scroll and tell the story (naql goftan). Some of the formalities of NaqqÃ¢li are: to stand on a bed in coffe -house or to sit on a chair, prologue, to demand praise and greeting to God, Mohammad and his descendants, to use gestures and to harmonize body parts with intonation, to use cane, reciting poems during prose reading, to perform some scenes, keeping sequence etc.</OtherAbstract>
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			<Param Name="value">Naqqâli</Param>
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			<Param Name="value">Scroll</Param>
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			<Param Name="value">Iranian national and heroic tales</Param>
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<ArchiveCopySource DocType="pdf">https://jpll.ui.ac.ir/article_16363_7d691d07b8f70066bb3a3690521921e2.pdf</ArchiveCopySource>
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