Iranian Persian Language and Literature Promotion Society Research on Mystical Literature HTTPS://JP 5 2 2011 07 23 The Study of Discursive Sign-Semantics’ Pattern of Gheisar Aminpour Poetry The Study of Discursive Sign-Semantics’ Pattern of Gheisar Aminpour Poetry 115 136 16337 FA Abdoallah Hasanzadeh Mirali Assistant Professor of Persian language and literature, Semnan University Ebrahim Kanani PhD student of Persian language and literature, Semnan University Journal Article 2016 06 14 Discursive sign-semantics is the fruit of structural semiotics and narrative system of semantic studies. This view links the flow of meaning production and sensory conditions and considers a kind of ontology for linguistic productions. Discursive sign-semantics signifies an event variant of the presence of sign-meanings and investigates the function, production, and reception of meaning in discursive systems. Sign-semantics of discourse is sketched in the form of processes and different emotional, cognitive, sensory-perceptual, esthetics, etc dimensions. All of these variants share the flexibility and fluidity of sign-meaning and are revealed under the supervision and control of discourse process. In this process, signs, along with meanings, are turned into fluid, dynamic, plural, multi-dimensional and full of tension variants. Sign-semantics pattern can act as an efficient method for analyzing literary texts and predisposing them to new readings. Gheisar Aminpour is one of the great contemporary poets. The investigation of his poetry from the sign-semantics view reveals that he makes the process of meaning beautification by a novel approach to phenomena and with a sensory-perceptual relationship with them. This process is a dynamic and fluid one which is turned into an exalted sign passing worn-out and dusty concepts. This view joins the structuralist semiotics to fluid and ontological sign-semantics. This article tries to analyze the poetry of Gheisar Aminpour by studying two important principles of sensory-perceptual and esthetic dimensions of discursive sign-semantics system, and shows the formation of esthetic process in his poetry by a novel and fluid view. Discursive sign-semantics is the fruit of structural semiotics and narrative system of semantic studies. This view links the flow of meaning production and sensory conditions and considers a kind of ontology for linguistic productions. Discursive sign-semantics signifies an event variant of the presence of sign-meanings and investigates the function, production, and reception of meaning in discursive systems. Sign-semantics of discourse is sketched in the form of processes and different emotional, cognitive, sensory-perceptual, esthetics, etc dimensions. All of these variants share the flexibility and fluidity of sign-meaning and are revealed under the supervision and control of discourse process. In this process, signs, along with meanings, are turned into fluid, dynamic, plural, multi-dimensional and full of tension variants. Sign-semantics pattern can act as an efficient method for analyzing literary texts and predisposing them to new readings. Gheisar Aminpour is one of the great contemporary poets. The investigation of his poetry from the sign-semantics view reveals that he makes the process of meaning beautification by a novel approach to phenomena and with a sensory-perceptual relationship with them. This process is a dynamic and fluid one which is turned into an exalted sign passing worn-out and dusty concepts. This view joins the structuralist semiotics to fluid and ontological sign-semantics. This article tries to analyze the poetry of Gheisar Aminpour by studying two important principles of sensory-perceptual and esthetic dimensions of discursive sign-semantics system, and shows the formation of esthetic process in his poetry by a novel and fluid view. https://jpll.ui.ac.ir/article_16337_5c9fc53e84982778db3d21dd5f756882.pdf