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<Article>
<Journal>
				<PublisherName>Iranian Persian Language and Literature Promotion Society</PublisherName>
				<JournalTitle>Research on Mystical Literature</JournalTitle>
				<Issn>HTTPS://JP</Issn>
				<Volume>4</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2010</Year>
					<Month>05</Month>
					<Day>22</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Spiritual Insight &amp; Geometric Symbols</ArticleTitle>
<VernacularTitle>Spiritual Insight &amp; Geometric Symbols</VernacularTitle>
			<FirstPage>1</FirstPage>
			<LastPage>22</LastPage>
			<ELocationID EIdType="pii">16317</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Fatame</FirstName>
					<LastName>Akbari</LastName>
<Affiliation>Ph.D Candidate of Art Research, Shahed University</Affiliation>

</Author>
<Author>
					<FirstName>Taghi</FirstName>
					<LastName>Pour Namdarian</LastName>
<Affiliation>Professor of Persian language and literature, Institute of Humanities and Cultural Studies</Affiliation>
<Identifier Source="ORCID">0000-0001-8834-5174</Identifier>

</Author>
<Author>
					<FirstName>Ali Asghar</FirstName>
					<LastName>Shirazi</LastName>
<Affiliation>Associate Professor of Art Research, Shahed University</Affiliation>

</Author>
<Author>
					<FirstName>Habib Ollah</FirstName>
					<LastName>Ayatollahi</LastName>
<Affiliation>Assistant Professor of Art Research, Shahed University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2016</Year>
					<Month>06</Month>
					<Day>14</Day>
				</PubDate>
			</History>
		<Abstract>This article comprises three parts. The first section deals with the evaluation of geometry &amp; its relation to the parallelism among the main three fold worlds [intellectual world, absolute imagination world, &amp; material world]. In this section, we considered Pythagoreans, Plato, Ibn Sina, Ekhvan alsafa, Abu Reyhan Biruni and Rene Guene view points about the symbolic position of geometry &amp; its relation to the spiritual insights. &lt;br /&gt;In the thoughts of these figures, geometry describes the super natural realm &amp; cosmic lives of the heavens by a philosophic language &amp; by offering interior insights leads the soul to the real existence. In Ekhvan alsafa&#039;s view points, geometry splits into two Categories of sensible &amp; rational &amp; both are considered as a new way in recognition of the wisdom essence &amp; the nature of the soul. &lt;br /&gt;The second section deals with geometric position of the existence system in creating the order &amp; unity of the world components. In this section the cosmic orderlines &amp; parallelism of the symbolic appearance of god&#039;s justice in proportion to the inner merit &amp;, in other words, the worth of every thing are explained. &lt;br /&gt;Third section is allocated to the relationship between geometry &amp; monotheism insights &amp; also some meanings of geometric symbols. &lt;br /&gt;The presence of geometric structure in the abstract styles of geometric ornaments, Islamic, Khatayi or architectural forms &amp; volumes is adopted from the holy principle of monotheism. &lt;br /&gt;The essence of monotheism in the field of visual imagination is manifested in the geometric crystallized forms &amp; by itself forms the essence of the Islamic art. At the end of this section we deal with the meanings of the main geometric symbols: point, triangle, circle &amp; square in the obtained view points.</Abstract>
			<OtherAbstract Language="FA">This article comprises three parts. The first section deals with the evaluation of geometry &amp; its relation to the parallelism among the main three fold worlds [intellectual world, absolute imagination world, &amp; material world]. In this section, we considered Pythagoreans, Plato, Ibn Sina, Ekhvan alsafa, Abu Reyhan Biruni and Rene Guene view points about the symbolic position of geometry &amp; its relation to the spiritual insights. &lt;br /&gt;In the thoughts of these figures, geometry describes the super natural realm &amp; cosmic lives of the heavens by a philosophic language &amp; by offering interior insights leads the soul to the real existence. In Ekhvan alsafa&#039;s view points, geometry splits into two Categories of sensible &amp; rational &amp; both are considered as a new way in recognition of the wisdom essence &amp; the nature of the soul. &lt;br /&gt;The second section deals with geometric position of the existence system in creating the order &amp; unity of the world components. In this section the cosmic orderlines &amp; parallelism of the symbolic appearance of god&#039;s justice in proportion to the inner merit &amp;, in other words, the worth of every thing are explained. &lt;br /&gt;Third section is allocated to the relationship between geometry &amp; monotheism insights &amp; also some meanings of geometric symbols. &lt;br /&gt;The presence of geometric structure in the abstract styles of geometric ornaments, Islamic, Khatayi or architectural forms &amp; volumes is adopted from the holy principle of monotheism. &lt;br /&gt;The essence of monotheism in the field of visual imagination is manifested in the geometric crystallized forms &amp; by itself forms the essence of the Islamic art. At the end of this section we deal with the meanings of the main geometric symbols: point, triangle, circle &amp; square in the obtained view points.</OtherAbstract>
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			<Object Type="keyword">
			<Param Name="value">Geometric Symbols</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Islamic Art</Param>
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			<Param Name="value">Point</Param>
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			<Param Name="value">Triangle Circle</Param>
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			<Param Name="value">Square</Param>
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<ArchiveCopySource DocType="pdf">https://jpll.ui.ac.ir/article_16317_14b20dfdbedebc6caeff6de77c77ada9.pdf</ArchiveCopySource>
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