<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ArticleSet PUBLIC "-//NLM//DTD PubMed 2.7//EN" "https://dtd.nlm.nih.gov/ncbi/pubmed/in/PubMed.dtd">
<ArticleSet>
<Article>
<Journal>
				<PublisherName>Iranian Persian Language and Literature Promotion Society</PublisherName>
				<JournalTitle>Research on Mystical Literature</JournalTitle>
				<Issn>HTTPS://JP</Issn>
				<Volume>4</Volume>
				<Issue>4</Issue>
				<PubDate PubStatus="epublish">
					<Year>2011</Year>
					<Month>02</Month>
					<Day>20</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Pictorial Logic of Poetry</ArticleTitle>
<VernacularTitle>Pictorial Logic of Poetry</VernacularTitle>
			<FirstPage>113</FirstPage>
			<LastPage>136</LastPage>
			<ELocationID EIdType="pii">16288</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Rahim</FirstName>
					<LastName>Kooshesh</LastName>
<Affiliation>Assistant Professor of Persian language and literature, University of Urumiye</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2016</Year>
					<Month>06</Month>
					<Day>14</Day>
				</PubDate>
			</History>
		<Abstract>Logically, among the various pictorial elements that poet chooses, merges, and uses contemplatively and deliberately in his work, certain semantic and aesthetic connections exist that studying and analyzing them can help us in comprehension, criticism, and editing of literary texts. These relations between these elements construct certain linear and geometric shapes in poetic images that attention to them can display the technical and semantic delicacies of poetic texts. &lt;br /&gt;In this article, the author wants to propose this point by analyzing and classifying these relations and clarify it by recursion to instances that have been chosen and studied from past and present texts.</Abstract>
			<OtherAbstract Language="FA">Logically, among the various pictorial elements that poet chooses, merges, and uses contemplatively and deliberately in his work, certain semantic and aesthetic connections exist that studying and analyzing them can help us in comprehension, criticism, and editing of literary texts. These relations between these elements construct certain linear and geometric shapes in poetic images that attention to them can display the technical and semantic delicacies of poetic texts. &lt;br /&gt;In this article, the author wants to propose this point by analyzing and classifying these relations and clarify it by recursion to instances that have been chosen and studied from past and present texts.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">poetry</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">image</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Logic</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">unity</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Coordination</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">harmony</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Outspreading</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Ascendancy</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://jpll.ui.ac.ir/article_16288_67c669f7b8e3f667b2c80bed50c2c60d.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
